Danila Tkachenko was born in Moscow in 1989. In 2014 he graduated from the Rodchenko Moscow School of Photography and Multimedia, department of documentary photography.
Part of his work, “Restricted Areas” project, capturing and captivating, like a fossilisation of the Soviet era, is exposed to Calvert 22 Foundation in London: Power and Architecture Exhibition Program.
That also, and firstly, means implementing all the preparation and produce some good prototypes, before getting a good screen printing, stable and secure.
I took some pictures, kinda sequence of the progress of the followed procedure.
First, adjust the artwork on the frame, put on the homemade screen printer, positioned with the T-shirt, ready for printing.
Then, once the artwork is positioned well, marks found on the frame, it is coated with photosensitive emulsion, two layers are applied on each side of the screen, spread smooth and uniform manner, avoiding drippings .
After drying, it is then placed behind a glass plate, and exposed to bright light to ‘burn’ the photosensitive emulsion in the tense silk and spare parts protected through drawing.
After a few minutes, the exposure is complete, the screen is then passed under running water in order to release the emulsion that is not caught in the mesh frame silk by the ‘burning’; the frame is ready to let the ink to print the t-shirt.
I have a big pot of black ink, water based, to make these impressions. There are also other different colors, such as blue, yellow, red and white, in smaller pots, to make experiments more colorful compositions of the same drawing.
The Squeegee has the right size for the pattern.
First tee-shirt screen printed well. The prototype is OK, a series of prototypes follows. I still spotted some defect in the screen printing machine homemade, actually the width of the sleeve, which hosts the T-shirt printing, I’ll rebuild for a greater one.
A building from the seventies doomed to destruction.
The capital, Paris, the 13th arrondissement, on the 5 Fulton Street.
Artists from around the world to decorate during the waiting phase.
This was the pitch for that very original artistic experience.
It was more or less possible to visit the place throughout the month of October, before its destruction, ultimately, in the month of April.
Maybe we could have kept this up for a little longer, one summer more, but the pressure on land causing its destruction, this discussion is now useless.
A good way to visit, if you could not physically get there: websites.
Firstly this site Paris.fr which traces the outline of the project, until its destruction in video. Especially links to works / graffiti art, the most interesting, indeed, and the history of the building.
A virtual tour / 360 ° is available on this site, from the cellars to the top floor, with the numbered apartments, not forgetting the exterior facades.
So far this is not bad at all, but it is a compilation of links that people already know more or less.
The following link, found in February and posted on google+ , seems less known, at least for a lot of people I talk to who do not see what it is.
This site is an exploration proposed by Itinérance, but also with the Google team, and / or technology used in museums, ‘ Art Project ‘ . So here you will explore a bit to find another form of the visit building, with a different immersion in apartments and more accurate information.
By clicking on the image, this gives us with the Google Art Project zoom graduated via the mouse wheel, a well known level of precision (here at the maximum), and also available in full screen without legend:
The tour continues on this site which also offers videos and other info I’ll let you discover!